Monday, January 30, 2012

Blog Response--Manhattan

Think about the last three films we have watched, including Woody Allen's Manhattan, and the filmmakers' choice to use black and white film instead of color. Discuss, in cinematic terms, why you think Woody Allen chose to make his film in black and white. Think about any implied meaning he is trying to convey and how his film does so. Would it have been a different film if it had been in color? Your response should be at least 3 paragraphs and should discuss the film's mise-en-scene, camera work, and sound.

Due: Friday, February 3, 2012.

Wednesday, January 18, 2012

Blog Response--Breathless

Read this article. Choose a scene in Breathless and respond to the following quote. Be sure to write at least 2 paragraphs. Respond to each others' posts.

Here's the quote:

This basic sequence of events is the minimal thread of continuity that holds the filmic narrative together. However, causal development and character motivation in the traditional sense are relatively loose. While the film does not reject narrative conventions as a whole, it goes a long way towards weakening the tight-knit structure and explanatory mechanisms affiliated with dominant narrative. The film's visual construction works even more aggressively against conventional film style. It systematically departs from the aesthetic guidelines and rules defined by continuity editing, relying variously on long-take sequences (often shot with hand-held camera) and jump cutting.

Friday, January 6, 2012

Some Like It Hot!

Read these three articles--Ebert's, "Masterpiece: Some Like it Hot,"and this one.

Then, in a thoughtful, articulate, and carefully proofread two paragraphs or more, pick a scene from the movie and offer a close textual analysis of it, citing from the articles to support your points. Requirements: 2 paragraphs (minimum), 3 citations, and extra credit if you offer a second post that comments on one of your colleagues' comments.